- SOFTUBE METAL AMP ROOM REVIEW HOW TO
- SOFTUBE METAL AMP ROOM REVIEW PRO
- SOFTUBE METAL AMP ROOM REVIEW SOFTWARE
- SOFTUBE METAL AMP ROOM REVIEW CODE
- SOFTUBE METAL AMP ROOM REVIEW PLUS
, its something I realized haven't heard in a long time since going all software. right thing and it totally felt centered together with a hint of the room mic. The Jubilee seems attractive to me as I'm a bit more on the high-gain side (but not to the Kerry King level) but the tones he sent me were very 70's and the video's I shared doesn't do justice compared to the stuff he sent me. If I get a chance will check them out at my friends system, he also has a good LP so it will likely be fun. My fave of the Softube/UA Marshalls are the Silver Jubilee and the JTM45 (bluesbreaker). Also, since Apollo interfaces have dedicated dsp built in, the latency is between 2 and 4 ms. They will feel and react differently depending on what's plugged into them, mic vs. Īpollo preamps can physically rearrange some circuitry when input impedance changes. Especially when you use them via the UA 'unison' preamps. My interface is a UA Apollo and I have a few of the Softube/UAd Marshalls. I saw 1-2 youtube vid.s some getting good metal tones but I'd say look elsewhere for easier solutions (Neural, THU.), this is aimed more for the guys who're into classic Marshall sound. so this also means don't expect loads of gain (aside kerry king model), ultra smooth tone etc. Just a final note Its a very convincing amp sim. so you'll need other plug-ins to support it if you go that route. You don't need the amp room plug-in (their amplitube sort of solution) to run the amps, but the amps don't come with pedals etc. So the workflow is just like how its done in the studio. section mic.ing sound very authentic, they even placed a room sound and they are controlled by a mini-console. The gain stages has the dirt we love, the cab. It was a softube Jubileee he got on discount and to me these guys have done everything right. Seems they not too long ago went native.įew days ago a total Marshall fan friend of mine send me some sound clips for preparation to his next single, to be honest if I didn't know probably would be mistaken they were recorded in a studio. The demo's I listened at the time were great but never had a chance to try them myself, after that totally forgot about it.
SOFTUBE METAL AMP ROOM REVIEW CODE
They made the code for their digital amps and later released amp emulations only for the UAD platform (can only be used with UAD soundcards).
SOFTUBE METAL AMP ROOM REVIEW SOFTWARE
It sells for $179.99 in AU/VST/RTAS versions.Softube became the official software side of Marshall a few years ago.
SOFTUBE METAL AMP ROOM REVIEW HOW TO
When you can't afford the real-deal metal amp and suitable recording space or don't have a clue as to how to setup and use any of it, Softube Metal Amp is your best bet.
SOFTUBE METAL AMP ROOM REVIEW PLUS
You can mix between two different microphones, a dynamic and condenser, plus individually set their off-axis angle and distance from the speaker cones. From sweet to satanic, Goth to grunge, Metal Amp lets you go between to two entirely different metal rigs (Metal uses a slanted Engl 4X12 cab and Black uses a Marshall) each with decidedly different personalities that are endlessly malleable using standard amp head controls that actually work like a real guitar amp. Your favorite DAW) here at my Tones 4 $ Studios, Metal Amp will turn any guitar recording into the wrath of God instantly.
SOFTUBE METAL AMP ROOM REVIEW PRO
Installed into Pro Tools as RTAS plug-in (or in AU/VST format in
Then I'll have no excuses for wonky guitar tones. For that reason, I ask the producers I work with to also record a dry direct guitar signal (DI) along with the amp sounds and include it in the songs they send me to mix. Effects like reverb, delay or compression are up to your individual preferences to add but know that the starting sound and tone produced by either Vintage or Metal are some of best I've heard. Softube also separates itself from all the others by focusing strictly on tone: the careful emulation of a real-world amp, speaker cab and the microphone's placement. The amp head is a combination of emulations of the Engl Powerball and a JCM800. Whereas Vintage has emulations of the three stalwarts of the world of electric guitar amps: a Marshall JCM800 half stack, Fender Twin and Vox AC-30, Metal has two amp/cabinet combinations that cover all the bases of modern metal rock guitar sound. Like Vintage Amp Room, a plug-in I've been wearing out (is it possible to wear out software?), Metal Amp is long on authenticity and short on tweakiness. The wunderkind in Sweden that make up the Softube AB company have done it again with their Metal Amp Room virtual guitar amp. Go To The Music Connection "New Toys" Directory